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Crimes against pizza. Enjoy 🍕
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Facts. Rules.
Crimes against pizza. Enjoy 🍕
Joe Kent-Walters is one of the most exciting and unpredictable acts on the UK comedy circuit right now. Blending absurdity, physical comedy and brilliantly awkward audience interaction, he has built a reputation as a performer who fully commits to the madness.

Best known for his wild character comedy — especially his larger-than-life creation Frankie Monroe — Joe brings an old-school cabaret energy crashing into modern alternative comedy. One minute the room is confused, the next it is in hysterics. His performances feel chaotic in the best possible way, with an intensity that keeps audiences completely locked in.
What makes Joe stand out is his fearlessness. He throws himself into every gig with total conviction, whether he is working a tiny comedy club or a packed festival crowd. Underneath the silliness is a seriously sharp comic brain, balancing ridiculousness with clever writing and timing.
A rising star on the circuit, Joe Kent-Walters feels like the kind of comedian people will soon be saying: “I saw him before he got massive.”

There’s something brilliantly deceptive about Fab Goualin. He doesn’t burst onto stage with chaos or noise — instead, he slides in with a calm, almost understated presence. But give him a minute, and you realise you’re in the hands of a comic who knows exactly what he’s doing.

Originally from France and now firmly embedded in the UK comedy scene, Fab brings a sharp outsider’s eye to everyday life. His material often plays with cultural quirks, language, and those awkward social moments we all recognise but rarely admit to. There’s a precision to his delivery — every pause, every look, every line feels deliberate and expertly timed.
What sets him apart is his ability to balance intelligence with accessibility. He’s clever without being smug, observational without being predictable. One moment you’re chuckling at a throwaway line, the next you’re caught off guard by a perfectly crafted punchline that lands harder than expected.
On a circuit packed with big personalities, Fab Goualin is proof that you don’t need to shout to be heard. His comedy sneaks up on you — subtle, sharp, and seriously funny. The kind of act that leaves you thinking, “That was smarter than I realised at the time.”
And that’s the trick: he makes it look effortless.
If you haven’t yet clocked Daisy Earl on the comedy circuit, now’s the time to pay attention. She’s part of a fresh wave of UK stand-ups who blend sharp observation with a brilliantly unfiltered perspective, and audiences are all the better for it.

Her comedy feels immediate and real. There’s no over-polished persona – just honest, punchy storytelling delivered with confidence and bite. Whether she’s tackling everyday awkwardness or wider social themes, she has a knack for making the room feel like you’re all in on the joke together.
What sets Daisy apart is her fearlessness. She doesn’t shy away from tricky topics but instead leans into them with humour that disarms and connects. It’s that balanc – bold but relatable – that makes her sets land so well with diverse audiences.
From club nights to festival spots, Daisy Earl is steadily building a reputation as a comic who delivers. In a scene packed with talent, she stands out not by shouting the loudest but by being unmistakably herself.
Daisy Earl is the kind of comedian who reminds you why live comedy matters – raw, unpredictable, and properly funny. Catch her now, because it won’t be long before she’s playing much bigger rooms.
Shugufta Choudhry is an emerging female comedian bringing fresh perspective and authenticity to stand-up.
Her humour draws from everyday life, blending cultural insight with relatable observations that resonate widely.

What sets her apart is her natural storytelling and confident delivery, making her comedy feel genuine rather than forced. As more diverse voices shape the industry, Shugufta represents a shift toward more inclusive, honest, and engaging comedy.
Phil Ellis isn’t your typical stand-up – and that’s exactly the point. Known for blending offbeat storytelling with unpredictable performance, Phil has carved out a niche that sits somewhere between comedy, theatre, and outright absurdity.

He first gained wider attention through the UK comedy circuit and festivals like the Edinburgh Festival Fringe, where his shows often feel more like immersive experiences than traditional stand-up sets. Whether he’s playing an exaggerated version of himself or leaning into surreal characters, there’s always a sense that anything could happen and often does.
His style thrives on awkwardness, audience interaction, and a willingness to push boundaries. That unpredictability has earned him a loyal following among fans who enjoy comedy that challenges expectations rather than sticking to punchline formulas.
Beyond the stage, he’s also appeared on podcasts and comedy platforms, building a reputation as a performer who refuses to be boxed in. In a scene crowded with polished routines, Phil Ellis stands out by embracing chaos and making it very funny.

Brennan Reece has built a reputation as one of the UK’s most relatable and sharply observed comedians. Hailing from the North of England, his material often draws from real life – family, relationships, and the everyday struggles that resonate with audiences across the country.

Brennan first gained wider recognition after winning English Comedian of the Year and went on to perform at major events like the Edinburgh Festival Fringe. His shows there have been praised for blending laugh-out-loud moments with genuine emotional depth, offering more than just quick punchlines.
What sets Brennan Reece apart is his honesty. His comedy doesn’t rely on gimmicks or shock – it’s grounded in storytelling that feels authentic and often deeply personal. Whether he’s talking about relationships, growing up, or navigating adulthood, there’s a warmth to his delivery that makes even the tougher topics feel accessible.
Alongside live performances, he’s appeared on TV shows such as Live at the Apollo, bringing his down-to-earth humour to a wider audience. Despite growing success, he’s remained true to his roots, keeping his voice grounded and his material refreshingly real.
In a comedy landscape that often leans toward the outrageous, Brennan Reece proves that sincerity, sharp writing, and a strong connection with the audience can be just as powerful.
Paul Campbell might not be the loudest comic in the room – but give him a microphone and a few minutes, and you’ll see why audiences lean in.
His comedy is built on sharp observations, dry delivery, and the kind of stories that sneak up on you before landing with a perfectly timed punchline.

A regular on the UK circuit and a familiar face at the Edinburgh Festival Fringe, Paul has developed a style that feels deceptively relaxed. There’s no over-the-top theatrics – just clever writing, understated confidence, and an ability to find humour in the everyday.
What makes his sets stand out is the rhythm. He lets moments breathe, plays with expectation, and then flips it just when you think you’ve got him figured out. It’s a style that rewards attention, and for those tuned in, the payoff is consistently strong.
Paul’s material often explores modern life’s quieter absurdities – work, his love of a certain supermarket, relationships, and the strange logic we all accept without question. He doesn’t shout about it; he just points it out, raises an eyebrow, and lets the audience do the rest.
In a world of high-energy, rapid-fire comedy, Paul Campbell proves that sometimes the smartest move is to slow things down – and trust the joke will land exactly where it should.
Lolly Adefope brings a refreshingly offbeat energy to comedy that feels both effortless and quietly brilliant. Her style isn’t about big, booming punchlines, it’s about the slow build, the awkward pause, and the perfectly timed line that lands just when you least expect it.

What makes Lolly stand out is her ability to fully commit to characters who exist somewhere between the absurd and the all-too-real. Whether she’s playing someone overly earnest, slightly delusional, or just delightfully odd, there’s always a sense that she’s in on the joke, but her character definitely isn’t.
Her delivery is often low-key, almost understated, which only makes the humour hit harder. It’s like she’s letting you discover the joke yourself, rather than announcing it and that subtlety is where the magic lies.
There’s also a warmth to her performances that keeps everything grounded, no matter how surreal things get. You’re laughing with her, not at her, and that makes her comedy feel inclusive rather than performative.
In short, Lolly Adefope proves that you don’t need to be the loudest voice in the room to be the funniest – just the most unexpectedly original.
Bridget Christie doesn’t just tell jokes, she builds entire comedic worlds and then calmly invites you in while everything unravels in the most hilarious way possible.

Known for her offbeat style and razor-sharp observations, Bridget has a talent for taking big ideas – politics, feminism, environmental doom, and filtering them through a lens that’s equal parts absurd and insightful. One moment you’re nodding thoughtfully, the next you’re laughing at something so unexpected you almost feel guilty for enjoying it.
Her delivery is a masterclass in controlled chaos. She often appears completely composed, as if nothing strange is happening at all—while describing something utterly bizarre. It’s that contrast that makes her comedy hit harder: the calm voice of reason explaining utter nonsense, or perhaps revealing that the nonsense is actually… us.
There’s also a fearless quality to her work. Bridget Christie doesn’t shy away from uncomfortable truths; she leans into them, pokes at them, and somehow makes them funny without losing their edge. It’s clever without being smug, surreal without losing its point.
In a comedy landscape full of noise, she stands out by being just a little bit stranger—and a lot more thoughtful.